Blitz Magazine, May 2003
Festival: n Time of festive celebration; merry-making; [periodic] series of performances.
Jazz: n Syncopated dance music, of US Negro origin, with characteristic harmony and rag-time rhythm; (slang) pretentious talk; ~ adj Discordant, loud or fantastic in colour ~ v Dance to, play, jazz; arrange (music) as jazz; arrange (pattern) in vivid or grotesque form; brighten, liven, up.
In this day and age, it’s hard to believe that our society’s cultural deep-freeze was such that jazz was something that could be enjoyed only behind closed doors. You had to be a grown-up, you had to be of a certain race or class, or you had to be slumming.
In fact, the first proper jazz festival didn’t take place until 1954. That was the famed Newport Jazz Festival, which has presented Louis Armstrong, Dave Brubeck and Billie Holiday, among many others, and has stirred a lot of controversy: riots in 1960, 1971 and 1972 caused the festival to move to New York; it didn’t return to Newport until 1991.
Luckily, the Newport idea caught on and, with the help of Newport Fest founder George Wein, festivals were initiated in London, Paris, Rome and Berlin. Today, there are jazz festivals all over the world—from Turkey to Australia to India. Each year, tiny Italian villages burst with festival visitors; the concept is huge in Japan. Canadians, of course, are always up for anything and the country now hosts some of the world’s top jazz festivals, most notably in Montreal and Vancouver.
The Vancouver festival consistently presents one of the most culturally-diverse music celebrations in the world, gracing the city with what the Vancouver Sun has called “Ten Days of Heaven”.
All day, every day, inside and outside, jazz of all styles is presented at 40 venues, by 1700 musicians doing 400 shows, many of which are free. With 2002 attendance of 430,000, it is the largest cultural event in western Canada and one of the biggest musical events in the nation.
Festival co-founder John Orysik calls this festival—any jazz festival—‘a cultural lubricant’.
“The jazz festival engages people. It brings music to a large group of people in a short span of time, and it brings the music to everyone—people of all ages, races, socio-economic levels. It allows music to be introduced, and marketed, strategically and effectively, in the biggest context, and it has an event cachet that you don’t get with a one-off concert.”
Orysik explains what it is that makes jazz so popular in every corner of the globe. “It’s the spirit, the energy, the freedom. The music is…everything.”
